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Human beings have migrated since time immemorial, during times of borderless and fenceless territories. Some would say that migration is one of the most fundamental human rights. According to the United Nations, 65.6 million people around the world were forced from their homes in 2016 due to war, natural disasters and persecution. Most immigrants’ decision to immigrate is not made on a whim, after all they often leave everything they know and love behind, such as their homes, families and communities. These decisions are made because of dire need and most of the time they have to be made quickly and abruptly. However, we currently live during times where there is political divisiveness and sentiments of anti-immigrant nationalism are high. In contrast, compassion and empathy towards immigrants are at an extreme low and it is important to bring awareness, empathy and discernment to the plight of hundreds of thousands of people that are escaping unceasingly dangerous situations.
I have chosen to replicate immigrants’ memories of their homeland using freehand machine embroidery onto canvas to reflect the abrupt and quick decision making many immigrants have to make. Since I am an immigrant, I have started with my favorite photographs of myself surrounded by family and friends in my homeland. The combination of sketching someone’s memories and the loud sewing machine noise ads a sense of urgency, reflects the brusque manner in which immigrants often have to leave their homes and gives me the responsibility to record precious memories. Despite the complex assortment of legal, social, emotional and physical challenges, increasing numbers of people still trade the risks for the chance of safer, better lives for themselves and their families. It is important to acknowledge their hope and the dignity, dreams and sacrifices. The embroidery was made on unbleached canvas. This utilitarian simple weave fabric is reflective of immigrants’ often common human traits of strength, resilience and desire to be a productive member of society. The navy blue cotton thread is a symbol of strenuous hope. Even though people are bombarded with hardships only the ones that keep a sliver of hope will have a better chance of surpassing these tribulations. In other words, hope is their lifeline. I have chosen to omit painting the immigrants in the picture to reflect the vast void, emptiness and even loneliness one feels when leaving their home not knowing if they’ll ever go back.
I would like for this project to strengthen understanding, to stimulate greater compassion and advocacy between displaced people and the communities that receive them by bringing to light the immigrants’ plight and insight into the lives of immigrants. Whether instigated by war, conflict, persecution, poverty or climate change, millions of immigrants are transported from the known into the unknown. Their main desire is to keep their families safe and to be able to reclaim a life of dignity and be productive members of society. Yet there are still so many people that are indifferent to their plight. Indifference certainly deteriorates unity and strengthens sentiments of racial and cultural superiority. We are often in the position to help at the very minimum to express support of immigrants. Is it our moral responsibility to help? If it is in within our desire to help, where do we start? A good first step would be to imagine ourselves in their shoes, think of what would we do in their situation and start a dialogue.
Nota bene: This will be an ongoing project in which I will be accepting photographs from immigrants in their homeland indefinitely for future installations. If you would like to participate please send an email with the photograph you would like to share to email@example.com with the word "immigrant" on subject line.